Women of Style: Louise Brooks

“A well dressed woman, even though her purse is painfully empty, can conquer the world.”

— Louise Brooks

I can’t exactly recall when I developed my penchant for all things 1920s, but I know that falling in love with silent movies in my late teens sealed the deal. A big part of the charm was Louise Brooks. I adored her look - bobbed haircut (also described as a black helmet), enigmatic expressions, dark eyes, and elegant dresses. And like any good fan, I wanted to know everything about her. What I found (and rediscovered in embodying her for this project) was a multifaceted woman and a feminist ahead of her time.

Never really considered a major star in her day, Brooks is now most famous for her lead roles in Pandora’s Box (1929) and Diary of a Lost Girl (1929). In these films, Brooks epitomized the flapper style on screen. This style was emblematic of the “New Woman” of the 1920s that pushed gender roles and shed the restrictive laces, corsets, and hoops that dominated women’s fashion at the time. 

Not only was Brooks radical in dress, but she was unafraid to cross powerful men in Hollywood - turning down deals with major studios to live and work in Germany. Moreover, her acting approach and choice of projects marked a trailblazer spirit. Brooks was a pioneer of naturalistic acting, predating Marlon Brando and James Dean by decades. Her portrayal of female sexuality on screen also pushed boundaries. In Pandora’s Box, she played one of cinema’s first bisexual characters. Off-screen, she had multiple romances with directors and co-stars, Charlie Chaplin and supposedly Greta Garbo included. 

By the time Brooks was in her mid-twenties, her movie career was already over. Despite her youth while active in front of the camera, she defied the stereotype of the naïve ingenue. Rather, she was noted for her fierce intelligence, which I so respect. She reportedly read the work of Schopenhauer on set (this tidbit gets me chuckling). Her 1982 memoir Lulu in Hollywood also revealed a mind and voice that could understand and articulate the language of film on par with the most celebrated critics.

I thoroughly admire her different-ness and complicated nature. A trailblazer. An underdog. A sex symbol. An intellectual. A style icon. A woman comprised of many parts - both messily human and otherworldly in her own way. Henri Langlois, one of the founders of the La Cinémathèque française, famously said, "There is no Garbo, there is no Dietrich, there is only Louise Brooks.” I couldn’t agree more.

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HERE'S HOW YOU CAN PARTICIPATE IN DRESSEMBER WITH US:

Give! Visit our Dressember page and make a donation. It's that simple and no sum is too small. Truly.

Follow! Be sure to follow us on Instagram and our blog throughout the month of December. 

Share!  Help us spread the word. You can do this by sharing our social media posts or links to our Dressember fundraising page.

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Taz Morgan, MA, is a Marriage and Family Therapist Intern, IMF #99714, working under the supervision of Vanessa Spooner, PsyD. She has trained in Depth-oriented psychotherapy and works with adolescents, adults, and couples. 

Click here to learn more about our Los Angeles psychotherapy services.

Women of Style: Ruth Bader Ginsburg

“I don’t sit in the back.”

— Ruth Bader Ginsburg

To my mind, a lady of style can be very much herself, while making room for the people around her to be themselves, too. 

I admire this trait in Ruth Bader Ginsburg. She’s a lady with an opinion, and a whole lot of passion. She has enough skill that she’s landed in the highest court of our country. And yet, in all of the strength with which she holds herself, she is not consumed by the power of her own voice. I see this in the way she cultivated a rich friendship with the late Justice Scalia, whom she often fiercely opposed professionally. I see this in her humor in the midst of such serious work, such as her habit of wearing a “dissent collar,” the same glass bead necklace that she dons whenever offering an opposing opinion. 

I also admire that RBG is able to be herself, even when that falls outside of what others would expect. For example, even in her 60s and 70s, she was found parasailing and whitewater rafting. She’s quoted as saying, “I don’t sit in the back,” when encouraged to ride in the safer seat on one such boat ride. 

Now that’s style. 

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HERE'S HOW YOU CAN PARTICIPATE IN DRESSEMBER WITH US:

Give! Visit our Dressember page and make a donation. It's that simple and no sum is too small. Truly.

Follow! Be sure to follow us on Instagram and our blog throughout the month of December. 

Share!  Help us spread the word. You can do this by sharing our social media posts or links to our Dressember fundraising page.

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Allison (Allie) Ramsey is a Marriage and Family Therapist Intern, IMF #94391, working under the professional supervision of Michelle Harwell, PsyD, MFT 50732. Allie works with individuals on a broad range of issues, including anxiety, depression, relational challenges, faith integration, divorce, and aging. 

Why We Dressember

This is a collaborative piece from MHT therapists Taz Morgan and Maria Elena Marquez. They attended the Dressember 2017 Kickoff Party on Thursday, November 30 at the Unique Space in Downtown LA. 

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Last week we ventured to the Arts District to attend the Official Dressember Kickoff Party. We weren’t sure what to expect from the event but whatever fantasies we may have had were completely blown out of the water. It was such an impressive and inspiring night of style, generosity and community — all tenets of The Dressember Foundation. 

Maria Elena admiring some of the styles from the 2017 Dressember Collection. 

After making a beeline to the food truck, we took in all that the activity of the party - a photo booth, a gingerbread cookie decorating station, a craft table, and a display of The 2017 Dressember Dress Collection, designed by advocates and ethically made by Elegantees. Of note, Elegantees employs survivors of human trafficking in Nepal. 

An hour into the party, the emcees (two Dressember board members) took the stage and introduced Dressember founder Blythe Hill. Not only did Blythe speak about the issue of human trafficking and why she is committed to giving grants to non-profits that strive to put an end to violent oppression but she shared how her own experience of sexual trauma has impacted her life. The vulnerability with which she spoke about the burden of shame was palpable. Moreover, we resonated with Blythe's declaration that going to therapy had helped her regain a sense of resiliency and strength, which in turn, propelled her to make a more expansive mark on the world. Furthermore, she talked about a fire being ignited in her soul at the age of 19 to put an end to sex trafficking. Her passionate spirit has indeed fueled the Dressember movement - and in that moment, we both felt a resounding sense of urgency in our own bellies and turned to look at each other - silently acknowledging that we were experiencing something special with this kind of truth-telling. 

Blythe Hill, Founder and CEO of Dressember. 

Next up on the stage were advocates from A21 and International Justice Mission (IJM), two major Dressember partner organizations. The A21 representative told a story about a trafficking survivor who had been a typical teenage girl in Bulgaria. One day this young woman went out on a mid-day coffee date with a young man. She got up to use the bathroom and while she was away from the table, he drugged her drink. The next thing she knew she was strapped to a bed in Greece. The advocate went on to highlight this woman's astounding recovery of hope and freedom. The very charismatic representative from IJM spoke about her work in rescuing children from exploitation in the Philippines. She, too, mentioned the importance of mental health services for survivors. Finally, she got everyone in the room to move to a dance that survivors from a rescue in Manila created. 

Towards the end of the night, the emcees presented guests with a challenge to raise enough money for two rescue missions. Witnessing people lining up to make a donations to the cause was heart-warming and just what we needed to ramp up even more enthusiasm about our team fundraising campaign this year.

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The Dressember Foundation is an anti-trafficking nonprofit organization with an annual campaign in December where people take on the challenge of wearing either a dress or a tie every day of the month as a way to raise awareness and money for anti-trafficking work.

For more information, we recommend checking them on Instagram or Facebook in addition to visiting their official website. 

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HERE'S HOW YOU CAN PARTICIPATE IN DRESSEMBER WITH US:

Give! Visit our Dressember page and make a donation. It's that simple and no sum is too small. Truly.

Follow! Be sure to follow us on Instagram and our blog throughout the month of December. 

Share!  Help us spread the word. You can do this by sharing our social media posts or links to our Dressember fundraising page.

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Taz Morgan, MA, is a Marriage and Family Therapist Intern, IMF #99714, working under the supervision of Vanessa Spooner, PsyD. She has trained in Depth-oriented psychotherapy and works with adolescents, adults, and couples. 

Maria Elena Marquez, MA, is a bilingual Spanish-English Marriage and Family Therapist Intern, IMF #103470, working under the supervision of Michelle Harwell, PsyD, LMFT.  As an art therapist, Maria is passionate about helping clients unravel complex cultural beliefs and family pressures through the use of expressive art.

Women of Style

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One of our major goals for the month of December, beyond raising funds to combat sexual exploitation and sex trafficking with the Dressember Foundation, was to find ways to empower women through storytelling. As we were beginning our planning for the Dressember month, I wanted to create a central project for the MHT team that embraced both the perfunctory nature and the profundity of dress and style, as well as tell stories about different kinds of women. I was inspired by a book lent to me by one of our therapist Taz Morgan, a women who oozes style. The book is Women in Clothes, a collection of interviews and beautiful photography that seeks to understand embodied women and their relationship to clothes. This book reinforced to me that style is less about the particularities and organization of clothing and much more about the mind, movement and meaning of the woman inhabiting them. Our own Women of Style series is an attempt to get to know and share stories about the embodied women who inspire us.

Each of our therapists participated in a photoshoot in which they were asked to embody the style and presence of a woman that has influenced them and then tell us about it. We hope you enjoy this intimate and inspired series!

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Here's how you can participate IN DRESSEMBER WITH US:

Give! Visit our Dressember page and make a donation. It's that simple and no sum is too small. Truly.

Follow! Be sure to follow us on Instagram and our blog throughout the month of December. 

Share!  Help us spread the word. You can do this by sharing our social media posts or links to our Dressember fundraising page.

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Dr. Michelle Harwell, PsyD, LMFT is an expert trainer, respected speaker, and licensed therapist in trauma and attachment. She is noted for her specialization in areas of development, attachment, trauma, and neuroscience, and her ability to communicate complex topics with clarity and humor. Michelle completed her PhD in Psychoanalysis from The Institute of Contemporary Psychoanalysis. She received her BA in English Literature from University of Oklahoma, MA in Theology from Fuller Theological Seminary, and MS in Marriage and Family Therapy from the Fuller Graduate School of Psychology.

Humans of MHT: An Interview with Laura MacRae-Serpa

Our Humans of MHT series continues this month by spotlighting Laura MacRae-Serpa as she shares her love of learning and play with fellow intern Allie. 

Allie: Okay, so hi Laura, I'm so excited that I get to interview you. It was all random, who interviewed who. And it feels very special to me to get to talk with you about humanness and about your work as a therapist, I think, because you're someone who –  as a therapist and a human – I admire a lot.

Laura: Thank you, Allie.

A: I feel like you do such a amazing job of making the heart connection with people, but also just being extremely skilled and knowledgeable. Sometimes people have one of those [capacities] more than the other and I feel like you have both in abundance so it's um -

L: Thank you, I feel the same way about you.

A: Thank you. So, I'm curious, I want to hear about your picture in our humans of MHT photo series. I'm especially curious about your goggles picture. What's going on with your goggles?

L: Soap making. So that's one thing I like to do as a hobby is make soap. And you have to use lye at one point, so you have to protect your eyes, wear gloves, and you get to look like a scientist for a moment (laughter).

A: That's so fun! So you enjoy the lye process in particular then? Is that why you picked the goggles?

L: (laughter) Yes I do. I like taking anything and mixing it. So, soap making, baking, you know, a lot of things that children play with – I just enjoy that process.

A: You like having different ingredients, that you're putting into the pot –

L: Anything I can mix together in a pot, and see what it comes out as, I like.

A: Yeah, I love that. Um, well, lye is a really fascinating one to think about too, because it's poisonous, right?

L: Yes (laughs).

A: So, but there you are, creating something very nice and healthful.

L: Yes I am.

A: Do you feel like there any, like how do you make sense of that maybe even metaphorically: The mixing of the lye into your pot to make soap, and you like mixing all different kinds of things together in play or in therapy?

L: Yeah, I think symbolically, when we think about pieces of ourselves, you know, we mix the good in with the not-so-great. Or what we perceive as not so great. But you know I think it's the sum of the parts that create the whole, which obviously, you know, the end result can be a beautiful thing.

A: Mmm.

L: A valuable, worthy thing.

A: Mmm, yeah, I like that. That's kind of an interesting comment, you slipped in there – just the parts that we maybe think are less valuable

L: Right.

A: What what do you mean by that?

L: I think sometimes our vulnerabilities, sometimes the pieces of ourselves that we hide, or feel we have to hide or protect from from other people are actually the parts of ourselves that are the most human. You know, our flawed self, or like I said, what we perceive as flawed

A: Hmm.

L: When we have a relational experience where we can actually share some of the parts maybe that we're less proud of, when those are received and accepted, it can be a very powerful experience.

A: Hmm.

L: There's risk in that, of course.

A: Yeah, kind of beauty from ashes sort of experience to have something like that turn into something beautiful in a relationship. Yeah, like that. I like thinking about lye as the – I'll think of that for myself next time I'm not sure. “Well maybe this'll turn into something like soap. (Laughter).

“...I really believe in change. That we can all change. I consider myself a lifelong learner, so I feel like if I’m always sitting in that space and place with my clients, that I mean, I am learning as well. I’m growing as well.”

A: Well, tell me a little bit about your humanness as a therapist. How do you feel like your humanness shows up in your sessions and and who you are as a therapist?

L: I think most importantly I really believe in change. That we can all change. I consider myself a lifelong learner, so I feel like if I'm always sitting in that space and place with my clients, that I mean, I am learning as well. I'm growing as well. And I think since I have such a powerful belief in just humans ability to be resilient, I carry that hope and that kind of strength-based energy with me into the room.

And play as well. Creativity and just making a little bit of space for play.

A: Yeah I think those – maybe your learning posture, which shows up perhaps more consistently with you than anyone else I've met, which is amazing because you already know a lot – but also your love of play, feel like two pretty special things about you. So that makes sense. Those are things that kind of mark your humaness as a therapist.

I actually wanted to ask you a little bit about about play, because you are such a skilled play therapist, and I know that you really love play. I think you've said to me that you just, you like play.

L: I do. (laughter)

A: It's a good job for you! But I'm kind of curious, what you what sort of thoughts you have, if you can condense them down into a minute or two, of how how play can be leveraged for healing. I don't think we always are used to thinking about it that way. But my goodness, you do that so effectively so what are your thoughts about how that works?

L: I think play is children's work. It's how they process their world. It's how they you know try on their different parts, different selves. And often how they share. I think it creates safety. You know when I think about a play in a relationship, it creates safety. It's a mask almost. Not always, but sometimes it's a mask where the person feels a little safer to share or test or explore. So I think the potential for growth with play is unlike any other type of therapy, actually.

And I think that's why it's important to include play in our lives as adults. You know, however that's manifesting in your life. Whether it be team sports, or hobbies, or just giving yourself that freedom of creative process, it can be a powerful change agent and growth.

A: Yeah, the idea of a mask makes me think of play as providing a little bit of a buffer between the most like vulnerable parts of us and whatever it is that we're trying to learn to interact with.

L: Yeah.

A: And then that brings about safety that allows maybe for more growth than could happen if it was made maybe quite so explicit what we were doing. That would make it scarier, yeah.

L: Yeah, it feels a little safer, I think. I agree, just to kind of have it – it's almost like walking beside the experience and then processing it with someone else kind of beside to you, before you have to take that and integrate it.

A: Hmm, you're kind of trying things on, but it's not yet. Doesn't have to be you. Until you find out if it fits, maybe.

L: Yeah.

A: Interesting, I like that.

Um, well what about this huge question: What does humanness mean to you? How do you think about that?

L: Resiliency is the big one that comes to mind. I tend to think of the positive definition of humanness. I think of empathy, relationship building, our ability to be connected and to really feel each other's experiences. But within the resiliency, you know, it includes those darker experiences. Or the, the lye, shall we go back to that. (laughs) The parts of ourselves that maybe are harder to share. I think humanness is also very much about those parts and really allowing our relationship with those parts to ourself, so that we can kind of share relationally with other people in a very authentic way.

A: Mm-hmm. Yeah, do you feel like that those two things interact? Resiliency and being able to share the lye, the less desirable, or what we perceive as less desirable, inside of us?

L: I do. I think when we walk through or move through an experience that's difficult, yeah it's it's being a little more gritty. It's being able to maybe risk, because we're sitting comfortable in our sense of self, and we've had that relationship with all of our parts, so to speak. You know, and whether that includes acceptance, forgiveness, understanding; I think it then allows us to grow, be a little bit braver. I think it allows us to accept those parts in others too.

A: Mm-hmm.

L: You know, instead of just stepping into something with maybe an ideal that isn't attainable. I think sometimes it's the real pieces of people that we connect the most to.

A: Mmm, yeah, something that is maybe less ideal but actually ends up being better, or more special to us.

L: Yeah, I think it's relatable. And I always feel, with all of my clients, just a sense of respect for the courage it takes to step into therapy and look at those experiences. And you know the willingness to kind of explore just who they are, and maybe where they want to be, it's a very courageous process.

A: Well those are profound thoughts Laura, thank you for sharing.

L: Thank you, Allie.

A: Yeah, it's been so fun to interview you in our mini interview series. So, we'll sign off now. But thank you, and I'll get to talk to you soon (laughter).

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Laura MacRae-Serpa, MFTI, CCLS has special interests in supporting children and families navigating adoption and the challenges of chronic illness.

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Allison (Allie) Ramsey is a Marriage and Family Therapist Intern, IMF #94391, working under the professional supervision of Michelle Harwell, PsyD, MFT 50732. Allie works with individuals on a broad range of issues, including anxiety, depression, relational challenges, faith integration, divorce, and aging. 

Playful Relationships

Play is a foundational component in healthy relationships, yet rarely do adults set an intention of inviting play into their daily interactions. Play allows us to add a lightness to our relationship and invite the type of back-and-forth dialogue that mirrors the flirtatious beginnings of a romantic partnership.

Often it is the ruts and transitions of life when play is most necessary, but also the most vulnerable. For many, the time after a child is born can feel like the least playful in a marriage. Suddenly life is full of scheduling dinners and playdates, and partner conversations revolve around bedtime routines and bottle feedings. Stress stifles play, but ironically, play is one of the most powerful ways to alleviate stress.

As Esther Perel says in her book Mating in Captivity, “Eroticism in the home requires active engagement and willful intent. It is an ongoing resistance to the message that marriage is serious, more work than play; and that passion is for teenagers and the immature.” If the loss of interpersonal play is, dare I say it, a path toward a slow and painful death of a relationship, then the rediscovery and intentional cultivation of deep play in a marriage can lead to fulfilling sexual intimacy, meaningful connection, and, ultimately, joy.

Play is a powerful force that not only can increase connection to one’s truest self and lighten the soul, but also can increase connections and reignite relationships.

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Abigail (Abby) Wambaugh, M.S., is a Marriage and Family Therapist Intern, IMF #94231, working under the professional supervision of Michelle Harwell, Psy.D., MFT 50732. She specializes in treating relationship difficulties, trauma, and sexual issues.

Playing on the Road

Although the most trying, painful times in my life each have been marked by their own constellation of circumstances, I can safely surmise that a lack of play and imagination lied at the core. In those periods, I experienced my thoughts and emotions as facts etched in stone. Like a sentence to prison without parole. In the throes of such literalism, there was no wiggle room to consider other options. Conversely, when I approach the world with a playful stance, the mundane can turn into the sacred. Anxiety can transform into creativity. And fear can soften into a sense of wonder. 

“...play is not about fun or pleasure per se. Instead, its essence is characterized by social connection and active engagement with the present.”

Given this stark contrast between life with and without play, one might think that I would have figured out a way to bottle up this magical elixir. And yet this frame of mind remains so darn elusive to me. I don’t think it means that I’m too much of a stick-in-the-mud (although haters may beg to differ!). Rather, I think play is play precisely because it is difficult to pin down. It has an emergent quality. It is ephemeral, mercurial even, and can not happen on demand. It is a frame of mind that arises in the sweet spot where safety and novelty intersect. And this brings me to...

Road trips! 

Yes, road trips, for me, are fertile ground for play. On such a journey, I’m in the familiar shell of my own car and often with a travel companion who elicits a sense of belonging. I can let my guard down. I also have a sense of agency (unlike with air travel) - my input on temperature, music selection, or when to stop for a break impacts the space. Moreover, I am moving and the terrain is constantly changing - stimulating and out of the ordinary but not overwhelming. Within this flow state, in-between-ness is tolerable. I may be anticipating arrival at a particular destination, and yet I truly revel in the pit stops at little diners off the interstate, the conversations that can unfold when there’s little distraction, or the way that time stands still when simply looking out the window. Possibility is in the air, and I'm ready for exploration. In this line of thought, play is not about fun or pleasure per se. Instead, its essence is characterized by social connection and active engagement with the present.

This all said, the salve to the next big obstacle may not be to literally hit the open road, but rather to get curious about what’s obscuring my imaginative capacity. Or as poet David Whyte says, “Put down the weight of your aloneness and ease into the conversation. The kettle is singing even as it pours you a drink….Everything is waiting for you.” 

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Taz Morgan, MA, is a Marriage and Family Therapist Intern, IMF #99714, working under the supervision of Vanessa Spooner, PsyD. She has trained in Depth-oriented psychotherapy and works with adolescents, adults, and couples. 

Humans of MHT: An Interview with Dr. Michelle Harwell

The latest installment of our Humans of MHT series is with none other than the woman who started it all here at Michelle Harwell Therapy! 

Vanessa: Alright, we’re here for another Michelle Harwell Therapy Humans of MHT interview. I’m Dr. Vanessa Spooner, one of the supervisors and clinicians here at Michelle Harwell Therapy and I have the pleasure today of interviewing Dr. Michelle Harwell, who as you may have guessed it, founded Michelle Harwell Therapy and is our lady boss! Hi Michelle.

Michelle: Hi Vanessa, how are you?

V: I’m good! Are you ready to talk about your humanness?

M: You know, I was thinking about this. I was up last night and I was trying to fall asleep and I realized I was like slightly terrified [laughs]. I was like what is this feeling?

V: Terrified is being human! [laughs]

M: Yeah, right? So…I guess.

V: What does humanness mean to you?

M: Yeah…seems like a big question, doesn’t it?

V: It’s one of the biggest questions I think.

M: You know I was writing about this a while ago and we’ve been talking about this a lot in the practice. And I think just in a matter of fact way how humans as species...what separates us from other species on this planet. And it’s really our capacity to harness vulnerability. That we have done this amazing thing evolutionary-wise. In which we’ve found a way to harness social connection to have this elongated infancy and childhood that allows a child to grow, play, and experience their self in relation to others that cultivates mind and a self. As I think about what it means to be human, I think it is this two-fold dialogue between the capacity to have a mind and an awareness of the world and how that is really connected to vulnerability. And this tension I think, that as we walk through the world this dialogue is always happening. We have to be in relation to others to meet our needs, but we also have this tremendous capacity to create, to problem solve, but we also have tremendous amount of need. I think somewhere in that dialogue is what it means to be human.

V: Well and it sounds like you were even feeling kind of vulnerable last night!

M: [laughs] Yeah! Right?

V: It’s very human. Well, and the more we put ourselves out there and want to connect with others, the more potentially vulnerable we are. Even if it’s just doing something like doing an interview that you know is going on the Internet.

M: Yes.

V: So, you chose play to represent your humanness and you even mentioned that a little bit in your definition of humanness just now. What is particularly meaningful about play to you?

“Play...it’s a posture in life...to not take for granted and continue cultivating a space in which exploration and trying on things and continuing to discover, not foreclosing on possibilities...”

M: I think that’s a great question. I started out my career working with kids…well, and I still do. Let me start here by saying that there’s a famous analyst that I love and he has this small quote that says: “There’s a poverty of play.” And I think what he means by that as we grow in development, we often leave behind this space that we create in childhood, where there’s an in-between space between reality and pretend. This space where we can discover and explore – there’s an openness. As we get older we begin to move through the world using our generalizations or judgments and what that can mean is that we foreclose on the ability of becoming or being curious. Play…I think, I dived into the more conceptual meaning of it, but I think in general play is a passion of mine, it’s a posture in life and I think kids have taught me that – to not take for granted and continue cultivating a space in which exploration and trying on things and continuing to discover, not foreclosing on possibility is important and crucial throughout the lifespan.

V: So what you’re saying is play is one of the things that might bring someone into your office? That they have lost the ability to play and might not realize that?

M: Yeah, I mean I think…it’s funny I was going just through this process of putting together my website and Adam Phillips has this quote about the importance of not losing the madness of our childhood. The ability to roam in our imaginations and our creativity and that when we lose the capacity to stay in touch with play life becomes futile. It becomes one-dimensional. I would say on some level, certainly clients who come in and can’t reach for hope, can’t connect to vitality or aliveness, on some level maybe given up on the capacity to play in their interior and exterior life, to see new possibility.

V: Well, and that ties in great with the next question I was going to ask you, which is how does humanness show up in your work as a therapist? Because you are defining humanness as involving play in some way.

M: It’s funny, so I think in a couple of ways. I have my doctorate in psychoanalysis and I really attribute…I think being a play therapist has taught me a lot about play, but psychoanalysis, having had sat with someone who was curious about my mind and really just opened up the space that we go really go anywhere, we could go anywhere in terms of my experience in life and be curious and understand it. And I think that process of going through my own analytic treatment really shaped how I am with my clients and in terms of what I offer them. And how that is connected to play is that I really want to give my clients a sense of space. Winnicott calls it “potential space.” Potential space to play. To play with all aspects of our selves, that there really is no bounds. One of my central goals is to infuse a sense of curiosity and wonder into the space that I share with my clients. That’s probably a central tenet of how I connect.

V: How would you introduce the concept of play to a new client?

M: That’s a great question. Well, you know I think there’s all kinds of ways. I think you can directly talk about it. But I like more indirect ways. I think that the connection between humor, I would say, humanness and play – is that in a lot of ways I will embody that. I’ll raise an eyebrow or I’ll say “Wait a minute!” or I might laugh. And all of that is to show that I’m interested, I’m connecting with them and maybe I’m trying to implicitly communicate…kind of losing my thread here…but I think humor is an interesting way of introducing play and curiosity. Because what humor does is that it has dual meaning, right, it has multiple levels of emotional experience and that’s why often we laugh. Implicit in a joke or when we find something humorous is we are tracking an irony or a contrast. And I think often in therapy the capacity to connect on those levels can open up an exploration with our clients to take a deeper look without being self-critical.

V: The humor lightens it up, but there’s no like right answer and that something can have multiple meanings to someone. So when you’re showing them that you want to be playful and you want to be humorous with them, it allows them to not take themselves so seriously, in a good way. Everything that you talk about in therapy is very important, but I want you to loosen up a little bit. And see what happens if you’re a little bit looser and you’re playing around with the possibility of different ideas or different meanings for different things.

M: In another light, we’re taking about the use of humor in play, but I think play is so dimensional. I think about the kids in the playroom that I relate to. A lot of play is not fun, it’s not light. Kids can play in really dark areas. And I think in that same capacity, there’s a way in which, I know certainly when I am roaming about in my interior, thinking about my feelings and I am wanting to relate and I am trying to relate to myself, there can be a rigor. I was recently in Australia and there were these kangaroos and they had to have been siblings because they just started boxing with each other and you could see them working out this kind of aggression. I think sometimes we do that too with our clients, it’s like the ability to get in and wrestle with something together. And to sit in a space of not-knowing and trying to figure it out. Bringing my mind to my clients and being willing to kind of sit in a space that’s unknown, but that’s also real. I think that’s a form of play too.

V: I think that’s great that you brought that up because I think most people wouldn’t automatically associate that with play. Well, Michelle, thank you for your time today, we certainly got to learn a little more about play and psychoanalysis and see a little bit of your humanness as well.

M: Thanks so much, it was fun talking to you – always a pleasure Vanessa.

V: Thank you Michelle.

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Dr. Michelle Harwell, PsyD, LMFT is an expert trainer, respected speaker, and licensed therapist in trauma and attachment. She is noted for her specialization in areas of development, attachment, trauma, and neuroscience, and her ability to communicate complex topics with clarity and humor. Michelle completed her PhD in Psychoanalysis from The Institute of Contemporary Psychoanalysis. She received her BA in English Literature from University of Oklahoma, MA in Theology from Fuller Theological Seminary, and MS in Marriage and Family Therapy from the Fuller Graduate School of Psychology.

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Vanessa Spooner, PsyD, is a licensed clinical psychologist who specializes in helping adults work through anxiety, depression, grief, and eating disorders. Dr. Spooner also has extensive training and experience in group therapy and is currently president of the Group Psychotherapy Association of Los Angeles (GPALA). 

You Are Here

I became a lot happier when I stopped caring so much if I was happy.

There's something about emotions that makes them very easy to sort into two piles: good and bad. We have emotions which we prefer, and as adults with influence over our circumstances, we can become quite consumed with the pursuit of those “good” emotions. But there is something deceiving about such a pursuit, and if we only ever feel happy, we're bound to miss out.

Wouldn't it be alarming if we were so happy we couldn't feel sad – not even in the face of something truly heartbreaking? And wouldn't it be stifling to live a life so happy that we could never feel angry in the face of injustice or affront? Such a happiness is not happiness at all. In fact, happiness in the absence of the other emotions soon disappears, no matter how closely we guard it. Happiness means more when contrasted with an experience of anger or sadness or one of those other “bad” feelings.

Interestingly, happiness and other seemingly “bad” emotions are not mutually exclusive. I think we often try to root out those emotions we think are getting in the way of our happy. Sometimes, it's that effort that is getting in the way – not the feelings themselves!

It takes practice, and sometimes a little help, but noticing and accepting the mixed set of emotions that exist inside of us frees us up. It allows us to experience the world complexly. Happy and anxious and many other emotions can coexist.

Diagram by author.

It also creates space inside of us to recognize what is important. Emotions give us information. They are beckoning us to say “no” to something, or to stand up for someone, or to ask for help, or to grieve. And however unpleasant these “bad” emotional signals may be, if they help me to do such important tasks, then I'd say, they are good.

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Allison (Allie) Ramsey is a Marriage and Family Therapist Intern, IMF #94391, working under the professional supervision of Michelle Harwell, PsyD, MFT 50732. Allie works with individuals on a broad range of issues, including anxiety, depression, relational challenges, faith integration, divorce, and aging. 

From Contradiction to Paradox

To survive, we must make instantaneous sense of our world. As such, it is an essential skill to be able to discern one’s surroundings and act in accordance with the demands of our environment. Our brain does an unparalleled job of this – it automatically makes critical decisions in milliseconds – what way to pull the steering wheel if another car is careening towards us on the highway; quickly making sense of that brown coiled shape seen out the corner of our eye. Is it a poisonous snake, or simply a discarded loop of rope or a garden hose? While decisiveness is paramount to our survival, this very ability also begets a tendency to seek certainty and understanding in situations which may call for much more nuanced circumstance. 

In addition to our inclination to seek a practical mastery of our surroundings, as humans (particularly in the fact-based, scientifically-validated culture of modern times), we are also conditioned to seek out singular definitive answers to many of life’s questions. Such reductionism can (and often does) curtail experience into a false binary; a straightforward yes or no, right or wrong, bad or good. This simplistic view makes for a sterile exactness that leaves no room for the messy alchemy we call human experience. 

When we become fixed within this black or white view, any deviation from this false self-imposed logic becomes a source of discomfort and we can spend much of our mental energy denying the contradictions that exists within ourselves and our relationships. For example: How can one simultaneously feel the need to seek comfort and connectedness among friends and loved ones whilst still needing to assert autonomy and separateness from others?

Seeking an answer or resolution to the existence of contradictions is like trying to swim upstream against a steady and powerful current – you will not get far before succumbing to exhaustion. Instead of fighting against two incompatible conditions by demanding yourself to choose one over the other, surrendering into a state of ambiguity and accepting not-knowing can open our hearts and minds to the all the possibilities of the human experience.

Acceptance of contradictions is the conduit for viewing the human condition as a paradox: a more fully alive, well-rounded, non-dualistic stance. Where contradiction is an unsolvable problem of logic, paradox is an enigmatic and awe-inspiring riddle. Tolerating, and then honoring contradictions allow them to shift from irascible nuisances of life into deeply intoxicating existential curiosities. These paradoxes are deeply mysterious and beg for thoughtful exploration. They open space for reconnection to ourselves and others and invite us to grow our capacity to discern more than bad or good, threat or friend…but rather the whole spectrum of possibility gifted to us in this existence.

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Lauren Ziel, MSW is a Registered Associate Clinical Social Worker, ASW #76483, working under the supervision of Vanessa Spooner, PsyD. Through the use of movement and mindfulness, Lauren develops specialized treatment for anxiety, depression, eating disorders, challenges in life-stage transitions, relational difficulties, and identity/intrapersonal development.